Your evening back
One tap of Auto-Polish cuts the silence and the filler, captions it, cleans the voice, adds the zooms and scores it. You start from a finished edit and adjust, instead of starting from a raw take and grinding.
FEATURES
The work you actually want back is the cutting, the captioning and the cleanup. Zella does that pass for you the moment a recording opens, on the chip already in your hands. No render queue, no account, no upload, no watermark, and no subscription waiting to lapse. Free is the complete editor and all the AI on every platform.
Zella for Mac is coming to the Mac App Store, and Zella for iPhone is coming to the App Store. One Pro purchase covers both. See the mobile app →
Quick answer
Zella is a screen recorder and AI video editor for Mac and iPhone. Zella records your screen or camera, then one tap of Auto-Polish cuts the silences and filler words, writes on-device captions, cleans the voice and adds emphasis zooms. Background removal works with no green screen, and reframe to 9:16, 1:1 or 16:9 is one click. Everything runs on your own device, with no cloud, no account and no watermark on any tier.
WHAT ACTUALLY CHANGES
One tap of Auto-Polish cuts the silence and the filler, captions it, cleans the voice, adds the zooms and scores it. You start from a finished edit and adjust, instead of starting from a raw take and grinding.
Recording, transcription, background removal, grading and export all run on the chip in front of you. No render queue, no account, no upload. Footage under NDA stays where it is legally supposed to stay.
Face-aware reframe puts you in the middle of 9:16 instead of centre-cropping your head off. You stop re-editing the same video three times to feed three platforms.
Free exports are clean, permanently. Free is the complete editor and all the AI on every platform, and Pro is one payment of $89 that covers Mac and iPhone together.
THE PARTS PEOPLE SWITCH FOR
Each one leads with what it does for you, then shows its receipts. If a claim here has no specific under it, do not believe it.
This is the feature the whole app is built around. It is not a filter and it is not a preset: it is the full retention edit, run on-device, before you have made a single decision.
Both platformsRuns on Mac and iPhone, and so does Make it Viral: the whole ready-to-post pass in one tap, on top of the shape you already cut.
How Auto-Polish works →Not "encrypted in transit". Not "deleted after 30 days". There is no upload step at all, which is the one thing a cloud editor cannot copy, because the cloud is their product.
Both platformsTrue on Mac and iPhone equally. On iPhone, Auto B-Roll and caption translation have no network path at all.
Mac and iPhone, side by side →You see the final look in the viewfinder, not an hour later in the editor. That is the difference between shooting one take and shooting four.
Both platformsOn the Mac it runs on the webcam bubble and the main video. On iPhone it is baked in live on the Neural Engine while you record, and again in the editor.
Camera and backgrounds →Captions are how muted feeds and non-native viewers get your video at all. Doing them on the device means no transcript service, no per-minute bill, and no student or client audio sitting on someone else’s server.
Both platformsSpeech recognition runs on-device on both. Translation and verbatim filler removal are genuinely iPhone features today.
Captions →Type the edit instead of learning where it lives. We gate output, never intelligence, so neither of these has ever been a Pro feature and neither will be.
Both platformsFree on Mac and iPhone. Your typed prompt and a short project summary (including caption text) are sent, and with Ollama not even that leaves the machine.
AI Assistant →The version of this job that costs an hour is re-cropping and re-exporting per platform. The version that costs a click is one edit and a queue.
Both platformsExport renders on the Mac or the iPhone itself. Or hand the project across as a .zella file and finish on the bigger screen.
Reframe →CAPTURE ANYTHING
Press record and stop managing the recording. Takes are written in crash-safe segments, so a phone call, a closed lid or a flat battery costs you nothing. Your room is dealt with while you film rather than in a fix-it pass afterwards, and system audio and your mic arrive as separate things you can still balance later.
Capture the whole screen, a region you drag, one single window, or camera-only, with system audio and mic together. Cursor and click tracking runs underneath, which is what lets the editor zoom on real clicks later. A menu-bar recorder and the full keyboard set mean starting a take never interrupts what you were doing.
Front or back camera with a live background you can blur, cut out or replace while you film, screen recording and whole-device broadcast via ReplayKit, and import from Photos or Files. Takes are segmented and crash-safe, so a phone call never costs you the recording.
THE PROOF
ONE CLICK, READY TO POST
A twenty minute take normally costs an evening: cutting the dead air, hunting the ums, writing captions, fixing the audio, adding the movement that keeps a static frame alive. Auto-Polish does that pass on-device before you touch anything, and you edit its result instead of starting from a raw wall of footage.
Auto-Polish runs the moment a recording opens. Make it Viral is the whole ready-to-post pass in one click: tightened pacing, transitions, matched sound effects, word-pop captions and a ducked music bed, on top of the shape you already cut. Auto-zoom follows the clicks your cursor actually made, because the Mac tracked them at capture.
Auto-Polish runs the same one-tap retention edit on the phone - silence and filler cuts, extra cuts where you naturally pause, a cross-dissolve on every join, Beast keyword captions, noise removal and voice polish, a hook title, emphasis zooms and a ducked music bed. Make it Viral is here too, adding the colour pop and the matched sound effects on top. Clean Up, Make Vertical and Reel Pack are one tap each, and deleting a word in the transcript ripple-cuts the video.
THE PROOF
EDIT BY TYPING
Every editor punishes you for not knowing its vocabulary. Type what you want instead and the Assistant runs the whole chain, finds the fumbled line in the transcript, or looks at the frame and tells you your face is off-centre. It is free on every tier on both platforms, because charging for the intelligence is the thing we refuse to do.
101 editing actions driven by chat, from cutting silence to grading, reframing, adding callouts and setting up the export. Bring your own key and it stays in your Keychain; Groq, Gemini, Cerebras and Ollama are free, and Ollama never leaves the machine at all. Only your typed prompt and a short summary of the project (clip counts, durations, caption text, effect settings) are sent. Your video and audio never are.
The Assistant ships on iPhone with 71 editing actions - cut, caption, grade, reframe, set clip and overlay volume, add zooms, change platform. It runs on your own API key, and only your typed prompt and a short summary of the project - including caption text - ever leave the device; your video never does.
THE PROOF
PRO EDITOR, ZERO LEARNING CURVE
Most editors make you choose between a toy and a flight deck. Zella opens as a timeline you can use immediately, and an Advanced Tools switch reveals keyframes, bezier curves, luma scopes, Color Match and masks only when you go looking for them. Nothing you learn gets thrown away, and nothing you have not learned is in your face.
Keyboard-driven: B to cut, the full shortcut set, ripple delete, drag-trim, drag-to-reorder and 50 levels of undo. The Library keeps every recording and project in one place instead of a Downloads folder. Autosave and versioned snapshots mean a crash costs you seconds.
A real multi-clip touch timeline: cut, trim, ripple-delete, drag to reorder, per-clip volume, and an Audio tool holding every level in one place. Picture-in-picture overlays resize free-form (independent width and height), zoom blocks and speed control are free, and keyframe curves, masks and speed ramps are the Pro depth toolset - the same law as the Mac.
THE PROOF
EFFECTS & COLOR
Raw camera footage looks like raw camera footage, and that is the difference a viewer reads as amateur before you have said a word. Pick a look, pull the intensity back until it stops shouting, and the whole video sits in one world. Auto-Polish deliberately leaves your colour alone, so a grade is always your decision.
38 built-in looks across Cinematic, Film, Modern, Special, Studio and Vintage, three of them Founder-exclusive, plus your own .cube LUTs. Live luma scopes and Color Match sit behind the Advanced Tools switch for the day two shots refuse to match. Blur callouts and feathered masks keep keys, faces and staging data out of frame.
All 42 colour looks with an intensity slider, the full colour board, .cube LUT import and the whole effects pack, on-device - including the 2026 creator pack (Soft Glow, Bright Airy, Peachy, Terra Brown, Retro Halation, Tokyo Soft, Punchy), every one tuned to lift rather than shade. The three Founder cinematic grades ship here too, taking the phone catalogue to 45, and Auto-Polish deliberately leaves your colour alone.
THE PROOF
BACKGROUND REMOVE & REPLACE
No green screen, no lighting rig, no corner of the house you keep tidy for filming. The cutout runs on the device while you record, so you see the finished look in the viewfinder rather than discovering it failed an hour later. Two on-device vision models have to agree on every frame, which is why gestures do not drag the wall with them.
Background removal runs on the webcam bubble and on the main video, with 40 built-in scenes (20 still, 20 animated) or your own image or video behind you. Subject staging adds position, scale, a soft backlight and a contact shadow so you look placed rather than pasted, and defringe strips the colour halo off the edge. With Pro, the same cutout exports as ProRes 4444 with a real alpha channel.
Background removal runs live on the Neural Engine - while you film and again in the editor, with no green screen. Two on-device vision models must agree on every frame and the cutout edge tightens where you actually move, so gestures don't drag the room with them. Removal lands on a soft bokeh backdrop by default, switchable to cutout, transparent, blur or any of the 40 backdrops.
THE PROOF
CAPTIONS, TITLES & CALLOUTS THAT SELL
Most feed video is watched with the sound off, and a video without captions simply does not land there. Zella transcribes on the device, styles the captions so they read as designed rather than auto-generated, and gives you twenty ways (nineteen on iPhone) to point at the exact thing you are talking about instead of saying "up here in the corner".
10 caption presets with active-word highlight, 20 animated title styles, Text Behind Subject using the on-device subject cutout, 20 callout types and 16 blend modes. Speech recognition runs on the Mac itself, so nothing is uploaded to a transcript service and nothing is queued behind anyone else.
9 viral caption presets with active-word highlight, SRT import and a transcript word editor. Transcribes 27 spoken languages, 18 of them verified end to end, or captions any of them in English with one labelled switch. Separately, a finished caption track can be rewritten into 19 languages via Apple Translation. Plus Text Behind Subject, 12 title templates with 16 kinetic entrances, full-screen intro and outro cards, 19 arrow & label types (callouts) and 16 blend modes. Title fonts are a 51-face grid you judge by eye, five viral faces bundled, with the Lyric look chipping one line.
THE PROOF
SOUND THAT SELLS
Thin, roomy, uneven audio is what makes a good video feel cheap, and it is the part most people have no idea how to fix. Polish Voice denoises, de-esses, compresses and normalises in one pass, music ducks under your voice on its own, and there is a sound effect ready for every cut instead of a folder you have to go and find.
43 built-in sound effects, 16 voice changers, music with Auto-Duck, and Polish Voice with five studio tones on one broadcast-clean foundation. Beat Sync puts cuts and punches on the kick, snare or hats, per band. J and L cuts, detach and reattach audio, and per-clip volume are all free.
43 sound effects, 16 voice changers, music with Auto-Duck and five studio voice tones - all behind one Audio button in the timeline, together with clip and overlay levels. Per-band Beat Sync is there when you want it, and never applied for you.
THE PROOF
SHIP TO EVERY PLATFORM
Re-cropping the same video for TikTok, then the feed, then YouTube is the single most wasteful hour in a creator week. Reframe follows your face with Vision instead of centre-cropping your head off, platform presets are already the right pixels, and the export renders on hardware you own with nothing in front of you in a queue.
Export MP4, MOV, GIF or M4A, 1080p free and 4K with Pro, plus 8K on the Mac alone. Pro adds ProRes 4444 with alpha, 60 fps, a custom bitrate and the multi-aspect queue, which renders 9:16, 1:1 and 16:9 from one edit in a single action instead of three exports.
Make Vertical reframes to 9:16 around your face in one tap, and export runs on the phone itself with TikTok / Reels / Shorts / YouTube / Instagram presets. Pro adds 4K, 60 fps, a custom bitrate and transparent-background export (HEVC with alpha), plus the multi-aspect queue. Or hand the project to the Mac as a .zella file and finish on the big screen.
THE PROOF
THE SPECIFICS, SINCE YOU ASKED
Plus your own .cube LUTs, SRT import, custom font import for any language, and 50 levels of undo. Counts are stated per platform wherever the two genuinely differ.
WHERE THE TWO APPS GENUINELY DIFFER
Nearly all of the page above is true on both. These are the parts that are not, listed plainly so you can decide before you install rather than after.
Everything else on this page runs on both, with the counts noted where they differ. Move a project between them as a .zella file and the clips, cuts, captions, titles, callouts and effects come with it. Zella for iPhone →
WHAT COSTS MONEY, AND WHAT NEVER WILL
Not a trial, not a demo, not a watermark you pay to remove. Free exports are clean and always will be. Recording is unlimited. There is no account. The only two ceilings anywhere are export length up to 2 minutes and resolution up to 1080p, and 1080p is free forever.
The complete editor and every AI feature, on Mac and iPhone. Auto-Polish, Make it Viral, the AI Assistant, Auto B-Roll, background removal, on-device captions, all 25 transitions, all the callouts and all the sound. Unlimited recording, with free exports up to 2 minutes. No watermark, no account, no upload.
Every new install runs the full Pro feature set for its first seven days. No card, nothing to cancel, and no countdown nagging you at the end. When it lapses you are on Free, which is the complete editor, not a crippled one.
Unlimited export length, 4K (8K on the Mac), transparent-background export, 60 fps, a custom bitrate, the multi-aspect export queue, saved templates and the depth toolset. One Universal Purchase covers Mac and iPhone together.
The AI Assistant and Auto B-Roll are free on both platforms and always will be: we gate output, never intelligence. Zella Founder is $299, a supporter tier led by every future major version free. Full pricing →
Nothing to sign up for, nothing to upload, and nothing stamped on the export. macOS 14 Sonoma+ · iPhone on iOS 18+ · Local-only · No cloud